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Vague, B. (2001) Harold Pinter and the twilight of Modernism. University of Toronto Press, Toronto.

被以下文章引用:

  • 标题: 从女性主义角度看哈罗德•品特的《背叛》Analysis of Harold Pinter’s Betrayal from a Feminism Perspective

    作者: 龙正杏

    关键字: 品特, 背叛, 女性主义Pinter, Betrayal, Feminism

    期刊名称: 《World Literature Studies》, Vol.3 No.3, 2015-09-01

    摘要: 作为荒诞派戏剧的创作大师,哈罗德ž品特在其作品里塑造了许许多多“荒诞”的人物形象,特别是他作品中的女性形象,显得尤为“荒诞”。《背叛》中的爱玛就是这样一个女性,体现了品特的女性主义思想。本文从三个方面解读这部戏剧:道德的反叛者和自我的扩张者,不为世俗眼中的“好女人”和跨越父权制的藩篱。 As the great master of “Theatre of the Absurd”, Harold Pinter had shaped a lot of “absurd” images, especially the female images in his works which seem to be much more “absurd”. Emma in Betrayal is such a kind of girl which reflects Pinter’s feminism thought. And this paper will interpret this play in three aspects: the rebel of moral and the expansionist of herself, never being the secular “good woman” and breaking patriarchal hedge.

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