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柳晟俊. 韩国唐诗研究之回顾与展望[J]. 中国典籍与文化, 1999(3): 109-117.

被以下文章引用:

  • 标题: 柳晟俊“性情为贵”的唐诗研究特点Shengjun Liu’s Research Characteristics of “Temperament Is Expensive” on the Poetry of Tang Dynasty

    作者: 王志清

    关键字: 柳晟俊, 唐诗研究, 性情为贵, 比较文学Shengjun Liu, Study of Tang Poetry, Temperament Is Expensive, Comparative Literature

    期刊名称: 《World Literature Studies》, Vol.3 No.4, 2015-12-14

    摘要: 柳晟俊是韩国著名中国古典文学研究专家,研究成果甚丰,而唐诗研究影响尤大。其唐诗研究,从王维研究入也从王维研究出,以王维研究为突破点与重点,生动反映了他对中国诗学的认同与接受,即化理为情、以情化理而情理互融相生的诗学模式,具有对于中国诗学忠实的承传性,是中国诗学的主流话语,具有鲜明的诗性研究精神。而其逻辑思维的学术套路,始终以清代“神韵说”为理论依托,也因袭了中国诗学的以禅说诗的思路与价值取向,讲究“离象得神”、“披情着性”、“入妙通玄”。他所最擅长采用比较研究的方法,使其研究视域大开,也使其研究进入了纵横捭阖的自由境界,不仅广泛涉及唐代诸多诗人,而且立足本土而联系上韩国的历代诗人,使其外国文学研究立足于本国文学研究之上。这也形成了他研究的诗性特点,轻盈而灵通,互为比照,顾盼生姿,进入了比较文学的一个更深更广的理论层面。 Shengjun Liu is a famous Chinese classical literature expert in South Korea, and his research is very abundant, of which the study of Tang poetry has a great influence. His study of Tang poetry starts from the research of Wangwei and also develops in Wangwei research, which is his break-through point and focus. It vividly reflects his identification and acceptance of Chinese poetics: the poetics model of transforming reason into emotion, emotion into reason, and thus integrated emotion and reason. It is the inheritance of Chinese poetry, and the mainstream discourse of Chinese poetics, having a distinct poetic spirit. His academic routines of logic thinking are always based on the “charm theory” in Qing Dynasty, inherit the Dhyana ideology’s poetic ideas and values of Chinese poetics, and pay attention to “li xiang de shen”, “pi qing zhuo xing”, and “ru miao tong xuan”. He is best at using comparative studies, making his research expand and go into the freedom realm. His research involves not only a lot of poets in Tang Dynasty, but also the poets in South Korea, making the foreign literature study establish above the local literature research. So poetic characteristics in his study are formed, which are light, well-informed, and mutual comparison, coming into a deeper and wider theoretical level of comparative literature.

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