从《雪国》中的女性形象探究“物哀”思想

Exploring the “Wabi-Sabi” Ideology through the Female Characters in Snow Country

摘要: 《雪国》作为川端康成的巅峰之作，体现了他对以“物哀”为核心的日本传统美学的极致追求。川端康成的“物哀”观深受自身孤苦身世和《源氏物语》等古典文学的影响，在《雪国》中所刻画的驹子与叶子两位极具张力的女性形象，堪称“物哀”思想的鲜活载体，集中承载了这部作品的美学价值和思想深度。文章分别从生命观、无常感、悲剧性生死观三个维度，透过两位女性形象探究“物哀”思想的深层内涵，以诠释这部作品忧郁而伤感的“物哀”之美。

Abstract: Snow Country is the pinnacle work of Yasunari Kawabata, embodying his ultimate pursuit of the Japanese traditional philosophy centered on “wabi-sabi”. Kawabata’s view of “wabi-sabi” was deeply influenced by his own solitary life and classical literature such as “The Tale of Genji”. The two highly dynamic female characters, Juji and Yoko, depicted in Snow Country, can be regarded as vivid carriers of the “wabi-sabi” ideology, concentrating on the aesthetic value and ideological depth of this work. This article explores the deep connotations of the “wabi-sabi” ideology from three dimensions: the view of life, the sense of impermanence, and the tragic view of life and death. Through the two female characters, this paper interprets the melancholic and poignant “wabi-sabi” beauty of this work.