历史动画电影审美体验递进研究——以《长安三万里》为例
A Study on the Progressive Aesthetic Experience of Historical Animated Films—Taking Chang An San Wan Li as an Example
摘要: 为弥补当前研究对国产历史动画电影多层级审美体验及动态递进过程探讨不足的问题,拓展鉴赏层级论的应用边界,本文以《长安三万里》为典型案例,基于鉴赏层级论构建“感知–体验–理解–回味”四层级审美体验分析框架,采用文本分析法探究历史动画电影审美体验的递进逻辑与实现机制。研究发现,影片通过视听符号构建沉浸式盛唐场景、以人物情感引发观众共情代入、用诗史融合深化历史文化认知、借文化延续实现价值升华,四层体验相互关联且层层递进,并依托诗影融合、历史与艺术平衡、人物弧光设计三大核心机制推动审美体验持续升华。据此本文提出历史动画电影在视听还原、情感共情、文化传递、价值启发层面的创作优化路径。本研究形成历史动画审美体验研究专项范式,可为历史动画创作、传统文化传播与观众鉴赏能力提升提供理论参考与实践启示。
Abstract: To address the insufficient research on the multi-level aesthetic experience and its dynamic progression in domestic historical animated films, and to expand the application scope of the Hierarchical Theory of Art Appreciation, this paper takes Chang An San Wan Li as a typical case. Based on the hierarchical theory of art appreciation, it constructs a four-level analytical framework of aesthetic experience: perception, experience, understanding and aftertaste, and explores the progressive logic and realization mechanism of aesthetic experience in historical animated films by means of text analysis. The study finds that the film constructs an immersive scene of the prosperous Tang Dynasty through audio-visual symbols, evokes the audience’s empathy through character emotions, deepens the cognition of history and culture through the integration of poetry and history, and realizes value sublimation through cultural continuity. The four levels of experience are interrelated and progressive, and the continuous sublimation of aesthetic experience is promoted by three core mechanisms: the integration of poetry and film, the balance between history and art, and the design of character arcs. Accordingly, this paper puts forward the optimal creation paths of historical animated films in terms of audio-visual restoration, emotional empathy, cultural transmission and value inspiration. This study forms a special paradigm for the research of aesthetic experience in historical animation, and can provide theoretical reference and practical enlightenment for historical animation creation, traditional cultural communication and the improvement of audience’s aesthetic appreciation ability.
文章引用:周雨乾. 历史动画电影审美体验递进研究——以《长安三万里》为例[J]. 艺术研究快报, 2026, 15(3): 445-450. https://doi.org/10.12677/arl.2026.153061

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