中国动画电影的民族化美学风格

The Nationalized Aesthetic Style of Chinese Animated Films

摘要: 本文把中国动画电影从1926年万籁兄弟启蒙时期至今的民族化美学风格分成四个主要的发展方向，通过对他们各自时期的民族化元素、代表作品及前后过渡分析，构建出当代中国动画电影民族化美学风格的视觉隐喻美学结构。

Abstract: This paper divides the Chinese animated film into four main development directions from the en-lightenment of the Wanlai brothers in 1926. Through the analysis of the nationalization elements, representative works and their transitional analysis in their respective periods, the visual meta-phorical aesthetic structure of the film’s nationalized aesthetic style of the contemporary Chinese animation is constructed.