从不同称谓看达洛卫夫人的内心冲突与平衡
Analysis of Clarissa Dalloway’s Psychological Conflicts and Balance from the Perspective of Different Addressing
摘要:
弗吉尼亚•伍尔夫在小说《达洛卫夫人》中,对女主人公的描写,在不同场合使用了不同的称谓:“克拉丽莎”、“达洛卫夫人”和“克拉丽莎达洛卫”。这三种主要的称谓分别对应着弗洛伊德的三重人格结构中的本我、自我和超我。通过这三种称谓,可以解析女主人公在这三个层次之间的心理冲突,以及如何在个性和社会身份之间取得平衡的过程。
Abstract:
Virginia Woolf uses different addressing to the protagonist on different occasions in her novel Mrs. Dalloway. The three main addressing, Clarissa, Mrs. Dalloway and Clarissa Dalloway are respectively the representative of her id, ego and superego in Sigmund Freud’s tripartite model of the human psyche. This paper is to interpret Clarissa’s psychological conflicts among these three levels, and how to keep a balance between her selfhood and social identity.
参考文献
[1]
|
Tyson, L. (2006) Critical theory today: A user-friendly guide. Routledge, New York, 25.
|
[2]
|
Bressler, E.C. (2004) Literary criticism: An introduction to theory and practice. 高等教育出版社, 北京, 123.
|
[3]
|
孙梁, 苏美, 译 (1988) 达洛卫夫人. 上海译文出版社, 上海, 10, 11, 38, 41-42, 47, 49, 176.
|
[4]
|
Woolf, V. (1925) Mrs. Dalloway. Harcourt, New York, 54-55.
|
[5]
|
Hawthorn, J. (1969) Virginia Woolf’s Mrs. Dalloway: A study in alienation. Sussex University Press, London, 11.
|
[6]
|
Gamble, I. (1970) Clarissa Dalloway’s “double”. In: Latham, J.E.M., Ed., Critics on Virginia Woolf. University of Miami Press, Coral Gables, 52-56.
|
[7]
|
Carey, G. (1969) Virginia Woolf’s Mrs. Dalloway. Cliffs Notes, New York, 31.
|
[8]
|
朱立元 (2005) 当代西方文艺理论. 华东师范大学出版社, 上海, 62.
|