试析贵州蜡染图画中苗族图腾文化的内涵
Analysis of the Hmong Totem Cultural Connotation in Guizhou Batik Paintings
DOI: 10.12677/CnC.2014.22002, PDF, HTML, 下载: 2,691  浏览: 9,347  科研立项经费支持
作者: 陈金桃, 赵丽玲:湖北工业大学,武汉
关键词: 贵州苗族蜡染图画图腾文化内涵Guizhou Hmong Batik Painting Totem Cultural Connotations
摘要: 贵州古朴的蜡染文化是苗族图腾文化的产物,至今仍保持着惊人的生命力。无论是蝴蝶纹、鸟纹、鱼纹、花草纹,还是龙纹等等,都取自大自然,苗族人崇拜它们并奉为氏族图腾,寄托着原始而又真挚的积极生命观,传达了一种万物有灵、万命同源、众生平等、和谐共处的理念。古代苗文化与华夏文化存在着千丝万缕的联系。
Abstract: As a product of ancient Hmong Totem culture, Guizhou Batik Art has kept its amazing vitality. They are all taken from nature, regardless of the pattern of butterfly, bird, fish, flowers and stripes, or dragons. They are worshiped by Hmong people as their clan totem entrusted with a primitive and positive view of life that can convey an idea of animism, homology, equality and harmony among all creatures. There are inextricable links between ancient Hmong culture and Chinese culture.
文章引用:陈金桃, 赵丽玲. 试析贵州蜡染图画中苗族图腾文化的内涵[J]. 国学, 2014, 2(2): 7-12. http://dx.doi.org/10.12677/CnC.2014.22002