ARL  >> Vol. 3 No. 4 (November 2014)

    动画艺术——超现实主义的天然载体
    Animation Art—Natural Carrier of Surrealism

  • 全文下载: PDF(898KB) HTML    PP.31-36   DOI: 10.12677/ARL.2014.34006  
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作者:  

陈 娟,王丽君:北京交通大学建筑与艺术学院,北京

关键词:
动画艺术超现实主义现实Animation Art Surrealism Reality

摘要:

超现实主义主张探求人的内心世界,寻求理性世界和非理性世界、梦幻与现实的结合,动画艺术属于一种以假定性为特征、以人工形象为演员的影视艺术,动画艺术本身固有的属性成为了超现实主义在当代影像时代传承的绝佳载体,而超现实主义手法被越来越多的动画制作者运用来表达自己的创作思想。本文以当代动画大师大友克洋和今敏的动画艺术创作为例分析,剖析了动画中的超现实主义的表现手法和情怀,它令创作者对生活的感悟艺术升华,使观众得到现实世界中无法得到的精神世界的满足。

Surrealism advocates exploring the inner world and seeking the combinations of rational and ir-rational world and fantasy and reality. Animation art is a kind of film and television arts which is characterized by the assumption and has artificial images as the actors. The inherent properties of animation art become an excellent carrier of surrealism in contemporary era. More and more animators use the surrealism technique to express their creative ideas. This paper took the ani-mation art creations of the contemporary animation masters, Katsuhiro Otomo and Satoshi Kon, as an example to analyze the expression and feelings of surrealism in animation. The surrealism makes the creator’s perception of life sublimate artistically so that the viewers can get the satis-faction in the spiritual world that can’t be gotten in the real world.

文章引用:
陈娟, 王丽君. 动画艺术——超现实主义的天然载体[J]. 艺术研究快报, 2014, 3(4): 31-36. http://dx.doi.org/10.12677/ARL.2014.34006