我国汉代碑刻边饰纹样的兴起缘由、艺术特征及文化意蕴

The Reason for the Rise, Artistic Characteristics and Cultural Implications of the Border Decoration of Stone Tablets in Han Dynasty

摘要: 我国碑刻之所以兴起于汉代，其是该时厚葬之风兴盛的熏陶、儒家伦理思想的催化、原始宗教思想的感染以及统治者兴礼乐宣教化的导向等因素共同作用的结果。汉代碑刻边饰纹样的艺术特征主要表现为：云气纹呈现为典型的、定型化的纹饰形式；波状纹表现为碑刻边饰纹样的主体纹饰。碑刻纹饰表现出强烈的舞动韵律感等。汉代碑刻纹样展现出了多样性的文化意蕴，即：充分体现了汉代的繁荣盛世；弘扬了激昂向上的生命观；发展了天人合一的宇宙观；呈现了丰富多彩的地域性等。但汉代碑刻纹样在呈现积极性向上思想精髓的同时，也有着崇拜鬼神、受制于丧葬礼俗约束等方面的文化糟泊。

Abstract: The rise of stone tablets in China in the Han Dynasty is the result of the influence of heavy burial, the catalyst of Confucian ethical thought, the infection of primitive religious thought and the guidance of the rulers to promote rites and music. The artistic characteristics of the border decoration of stone tablets in the Han Dynasty are as follows: the Yunqi pattern is a typical and regular pattern of decoration; the wavy pattern is the main decoration of the inscription edge pattern. The decoration on the stone tablets shows a strong sense of dancing rhythm. The decoration of stone tablets in the Han Dynasty showed the diversity of cultural implications, namely: fully embodies the prosperity of the Han Dynasty; promoted the passionate and upward outlook on life; developed the cosmology of the unity of man and nature; presented a rich and colorful regional, etc. However, the decoration of stone tablets in the Han Dynasty not only showed the essence of positive and upward thinking, but also had the cultural disadvantages of worshipping ghosts and spirits and being subject to the constraints of funeral etiquette and customs.