从《中国奇谭》看国产动画向中国传统美学的复归

The Return of Domestic Animation to Traditional Chinese Aesthetics from Yao-Chinese Folktales

摘要: 国产动画自诞生以来就自觉走上了与中国传统美学互动耦合的道路，在其影响下创造出了大批符合民族审美与价值观的艺术佳作。上世纪八十年代，伴随市场经济改革与外来文化的冲击，国产动画历经了艺术上的迷失期与探索期。近年来国产动画的创作环境逐渐回暖，大批带有中国传统美学风格的作品持续出现，掀起了新国风动画的热潮，国产动画也走上了向中国传统美学的复归之路。《中国奇谭》这部作品不仅具有浓郁的传统美学风格，更是紧贴时代议题，播出之际就引起观众的热烈讨论与追捧。本文将深度剖析《中国奇谭》的文本内核，探寻传统美学的内在精神,寻求其中意蕴所在，以期为以后的中国动画作品创作探析创作路径，提供有效参考。

Abstract: Since its birth, domestic animation has consciously embarked on the road of interaction and coupling with Chinese traditional aesthetics, and created a large number of artistic masterpieces in line with national aesthetics and values under its influence. In the 1980s, with the reform of market economy and the impact of foreign culture, domestic animation went through a period of artistic loss and exploration. In recent years, the creation environment of domestic animation has gradually warmed up, and a large number of works with traditional Chinese aesthetic style successively appeared, setting off the upsurge of new national animation, and domestic animation has also embarked on the road of returning to traditional Chinese aesthetics. Yao-Chinese Folktales not only has a strong traditional aesthetic style, but also close to the issues of The Times, when it was broadcast, it caused a heated discussion and pursuit of the audience. This paper will deeply analyze the text core of Yao-Chinese Folktales, explore the inner spirit of traditional aesthetics, and seek the meaning of it, in order to provide an effective reference for the future creation of Chinese animation works.