萨特存在主义视域下的电影《无姓之人》

The Film “Mr. Nobody” within the Existentialist Framework of Sartre

摘要: 电影《无姓之人》是一部荒诞又极具哲学意义的科幻电影，除去电影中无处不在的蝴蝶效应、信鸽迷信等理论，更应该关注影片背后的有关“人的存在”的意蕴。本文通过萨特存在主义的视角，从现实性与自由、存在与虚无 、存在与自由三个方面对电影《无姓之人》进行分析和探索。

Abstract: The film “Mr. Nobody” is an absurd yet profoundly philosophical science fiction work. Beyond the ever-present themes of the butterfly effect and superstitions like the “pigeon fallacy”, greater attention should be paid to the underlying philosophical implications concerning ‘human existence.’ This paper employs Sartrean existentialism as a theoretical lens, analyzing and exploring “Mr. Nobody” through three key dimensions: facticity and freedom, existence and nothingness, and being and freedom.