神话理论视角下的《诡才之道》
From the Perspective of Mythology Theory: “Dead Talents Society”
摘要: 中国台湾地区恐怖喜剧电影《诡才之道》(2025)与大陆春节档影片错峰上映,但其打破了类型单一化、剧情悬浮化的束缚,以别具一格的情节设定赢得口碑。影片高扬人文主义精神,通过对社会职场不良现象的讽刺,表现出对个体职场生存困境的关怀。本文旨在探讨《诡才之道》中职场神话的表征、生成路径及其反神话策略。
Abstract: The Taiwan region horror-comedy film “Dead Talents Society” (2025) is set to be released during a different period than mainland of China’s Spring Festival blockbusters. However, it breaks free from the constraints of genre monotony and overly vague plotlines, winning acclaim with its unique storyline. The film upholds a strong humanistic spirit, using satire to critique negative phenomena in the workplace, while also showing concern for the individual’s struggle in the workplace. This paper aims to explore the representation, generative pathways, and anti-mythological strategies of the workplace myth in “Dead Talents Society”.
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