后现代主义的解构与狂欢——《唐伯虎点秋香》声音美学研究

Deconstruction and the Carnivalesque in Postmodernism—A Study of the Sound Aesthetics in Flirting Scholar

摘要: 周星驰的“无厘头”喜剧已成为一种独特的文化现象，然而学界对其研究多集中于文化解构、叙事与表演层面，对其声音艺术的系统性研究尚显不足。本文以1993年电影周星驰版《唐伯虎点秋香》为研究对象，运用电影声音理论，通过将理论与文本结合，旨在探究其声音艺术如何通过诸多策略主动参与叙事、塑造人物、解构经典，并最终构建周星驰后现代独特美学风格的关键性创作力量。

Abstract: Stephen Chow’s “mo lei tau” comedy has evolved into a distinct cultural phenomenon. However, academic research has predominantly focused on aspects such as cultural deconstruction, narrative, and performance, while systematic studies on its sound artistry remain insufficient. This paper takes Stephen Chow’s 1993 film Flirting Scholar as its subject of analysis. By employing film sound theory and conducting a close textual analysis, it aims to explore how the film’s sound art actively employs various strategies to participate in storytelling, shape characterization, and deconstruct classical paradigms, thereby constituting a crucial creative force in constructing Stephen Chow’s unique postmodern aesthetic style.