战国叙事图像狩猎图研究——以信阳楚墓中彩绘锦瑟漆画为例

A Study on Narrative Hunting Imagery of the Warring States Period —Taking the Painted Lacquer Decoration on the Painted Zither (Jinse) from Chu Tombs in Xinyang as an Example

摘要: 河南信阳长台关一号墓中的彩绘锦瑟漆画，是存世较为完整地描绘了战国楚地巫术祭祀的绘画作品，其中的狩猎场景画面丰富，其中的猎人形象和动物形象反应了战国楚地的社会情况。彩绘锦瑟漆画中场景众多，是一幅具有叙事性质的绘画作品，可以看出此时绘画的不同需求。通过考察瑟在楚墓中乐器组合及祭祀活动中的使用背景，探讨彩绘锦瑟图像与楚地礼乐制度、宗教观念及丧葬文化之间的关系，对楚巫祭祀思想进行分析。

Abstract: The painted lacquered painted zither from Tomb No. 1 at Changtaiguan, Xinyang, Henan, represents one of the most complete extant depictions of Warring States Chu ritual practices. Its hunting scenes are rich in detail, and the portrayals of hunters and animals reflect the social conditions of Chu during the Warring States period. Featuring multiple narrative scenes, the painted zither lacquer illustrates the diverse functions and demands of painting at the time. By examining the role of the painted zither within Chu tombs, its use in musical ensembles, and its connection to ritual practices, this study explores the relationships among the painted zither imagery, Chu ritual and music systems, religious beliefs, and funerary culture. The analysis further sheds light on the ideological and ritualistic significance of Chu shamanistic practices.