中西方瘟疫电影意识形态的差异

Ideological Differences between Chinese and Western Plague Films

摘要: 2019年年底，突如其来的新冠肺炎疫情是百年来全球发生最严重的传染病大流行。当前，全球疫情持续扩散，抗击疫情成为世界上许多国家所面临的一次“人权大考”。各国政府如何科学有效地制定疫情防控工作措施、如何全力维护和保障广大人民群众的生命和财产安全等，都是世界各国政府所必须认真思考的问题和其应尽的人权义务。在世界抗击疫情的这场持久战中，中国人民始终积极应对，无不彰显着我国广大人民积极抗击疫情的精神。本文将从西方众多的影视作品中，聚焦以瘟疫病毒为题材的电影，剖析西方瘟疫电影所要体现出来的意识形态，以此对比中国人民与地方政府在面对疫情之时，所表现出的“抗疫精神”。本文立足于中华民族优秀的文化传统，梳理了抗疫过程中“抗疫精神”的产生和发展过程，阐释抗疫过程中的“抗疫精神”的内涵，并把“抗疫精神”的内涵概括为人民至上、生命至上的“抗疫理念”。

Abstract: The novel coronavirus pneumonia outbreak in late 2019 is the most serious infectious disease epidemic in the world in the past century. As the global epidemic continues to spread, the fight against the virus has become a “human rights test” for many countries How governments of all countries scientifically and effectively formulate epidemic prevention and control measures and how to fully safeguard and protect the safety of people’s lives and property are issues that governments all over the world must seriously consider and their human rights obligations. In the world’s protracted war against the epidemic, the Chinese people have always responded positively, which demonstrates the spirit of the Chinese people in actively fighting the epidemic. This paper will focus on the films with the theme of plague virus from many western film and television works, analyze the ideology to be reflected in Western plague films, and compare the “anti epidemic spirit” shown by the Chinese people and local governments in the face of the epidemic. Based on the excellent cultural tradition of the Chinese nation, this paper combs the emergence and development process of “anti epidemic spirit” in the process of anti epidemic, explains the connotation of “anti epidemic spirit” in the process of anti epidemic, and summarizes the connotation of “anti epidemic spirit” as the “anti epidemic concept” of people first and life first.