基于否定分析理论对A Rose for Emily文本变形倾向的分析

An Analysis on the Textual Deformation Tendencies in A Rose for Emily from the Perspective of Negative Analysis Theory

摘要: 本文基于贝尔曼的“否定分析”理论，对福克纳短篇小说A Rose for Emily杨岂深汉译本进行分析，试图验证分析其中的文本变形倾向，从而对小说翻译的实践起到一定的促进作用。经过研究发现：杨岂深先生版本的译文中理性化、高贵化的倾向较多，兼有对原文节奏的破坏以及原文意指体系的破坏等变形倾向，因而导致原文口语化的叙事风格总体偏向较为正式且古雅的风格，尤其是译文中大量四字成语以及书面语的使用。同时，从文中部分词汇的翻译也可看出译者在进行翻译时采取了贴近译入语语言文化习惯的翻译方式，验证了翻译过程中文本变形倾向的存在。但从某种程度上来看，这种翻译的方式一定程度上与原文的语言风格有所差异，原文中的异质性则被过滤了。

Abstract: Based on Belman’s theory of “negative analysis”, this paper analyzes the Chinese version of Faulkner’s short story A Rose for Emily, translated by Yang Qishen, trying to verify and validate the tendency of text deformation, and thus promoting the practice of novel translation. Through the analysis of this research, it is found that the translated version of Yang Qishen has more tendency of rationalization and nobility, and also has the deformation tendencies such as the destruction of the rhythm of the original text and the destruction of the original meaning system, which turns the oral narrative style of the original text to be more formal and elegant, especially through the use of a large number of four-character idioms and written language in the translated version. At the same time, from the translation of some words in the text, it can be seen that the translator has adopted a translation method that is more close to the target language and cultural habits, and thus verifies the existence of text deformation tendency in the translation process. However, this way of translation differs from the language style of the original text to some extent, and the heterogeneity in the original text is filtered.