梦核美学与影像：城市记忆的视觉呈现与文化塑造

Dream Core Aesthetics and Images: Visual Presentation and Cultural Shaping of Urban Memory

摘要: 在当今社会快速发展，以互联网为创作和传播媒介的网络艺术已融入人们的生活，成为生活本身，艺术创作已进入后网络时代，诞生了“梦核”美学这类后网络艺术，而“梦核”美学中表现出的怀旧复古倾向则是其创作者对当下社会问题的回应和对自身情绪的抒发。同时，梦核美学的受众是Z世代的青年群体，他们运用具有时代特征的复古视觉元素来进行艺术创作也为梦核美学增加了怀旧的情感。“梦核”美学作为近五年来在Z世代青年群体中广泛传播的后网络艺术，从最初简单的图像作品表现发展到如今与影像、游戏、插画等多种媒介形式结合产出新的作品，其艺术边界正在不断被拓宽，还有无限发展的可能，将梦核美学与影像相结合，能够为城市记忆的呈现和文化塑造拓宽新的道路。

Abstract: In today’s rapidly developing society, online art, which uses the Internet as a medium for creation and dissemination, has integrated into people’s lives and become life itself. Artistic creation has entered the post-internet era, giving birth to post-internet art such as “Dream Core” aesthetics. The nostalgic and retro tendency expressed in “Dream Core” aesthetics is the creator’s response to current social issues and an expression of their own emotions. Meanwhile, the audience of Dream Core Aesthetics is the youth of Generation Z. Their use of retro visual elements with the characteristics of The Times in artistic creation also adds a sense of nostalgia to Dream Core Aesthetics. The “Dream Core” aesthetic, as a post-network art that has been widely spread among Generation Z youth in the past five years, has evolved from the initial simple expression of image works to the current combination with various media forms such as video, games, and illustrations to produce new works. Its artistic boundaries are constantly expanding and have unlimited potential for development. Combining the “Dream Core” aesthetic with video, it can broaden new paths for the presentation of urban memory and the shaping of culture.