从“髹涂”到“融合”：漆媒介在综合材料绘画中的肌理表现研究

From “Lacquering” to “Integration”: Texture Expression of Lacquer Medium in Mixed-Media Painting

摘要: 漆作为中国传统工艺与艺术的重要材料之一，在长期的发展过程中形成了以“髹涂”为核心的工艺体系与独特的视觉语言。随着当代艺术材料观念与媒介观念的不断更新，漆材料逐渐突破传统漆器与漆画的表现范畴，被引入综合材料绘画的创作实践之中。在这一过程中，漆媒介不仅延续了传统工艺中层积、打磨与覆盖等技术特征，同时通过与金属、矿物、纤维以及综合颜料等多种材料的结合，形成了更加丰富多样的肌理结构与视觉效果。本文以漆媒介在综合材料绘画中的应用为研究对象，通过梳理传统“髹涂”工艺的材料特性与技术逻辑，分析其在当代绘画语境中的转化路径，并进一步探讨漆媒介在综合材料创作中的肌理表现方式及其艺术价值。研究认为，在综合材料绘画的发展背景下，漆媒介从传统工艺材料逐渐转化为具有独立表现力的艺术媒介，其在材料语言与视觉表达方面为当代绘画提供了新的可能性。

Abstract: Lacquer, as an important material in traditional Chinese craft and art, has developed a distinctive technical system centered on the process of “lacquering”. In the context of contemporary art, with the continuous transformation of material and media concepts, lacquer has gradually transcended the conventional boundaries of lacquerware and lacquer painting and entered the creative field of mixed-media painting. In this process, lacquer not only retains the technical characteristics of traditional practices such as layering, polishing, and coating, but also forms diverse textures and visual effects through integration with various materials including metals, minerals, fibers, and synthetic pigments. Focusing on the application of lacquer medium in mixed-media painting, this paper analyzes the material properties and technical logic of traditional lacquering techniques and examines their transformation within contemporary painting practices. Furthermore, it discusses the ways in which lacquer medium contributes to texture expression and visual language in mixed-media art. The study argues that lacquer has gradually shifted from a traditional craft material to an independent artistic medium, providing contemporary painting with new possibilities in both material language and visual expression.