数字时代的审美经验变迁——以数字视觉为例

Changes in Aesthetic Experience in the Digital Age—Taking Digital Vision as an Example

摘要: 本文以数字视觉为切入点，通过跨学科视角整合技术哲学、社会学与文化批评理论，聚焦“创作–传播–接受”三维度，系统探究数字技术如何驱动视觉审美经验变迁。在创作层面，剖析算法生成对艺术原创性的消解与重构；在传播维度，揭示短视频平台大数据下的审美趋同问题；在接受层面，探讨不同于传统静态式参观模式，VR艺术展览中的身体参与重构作品及其主体性意义。研究旨在探寻技术带来的审美经验变迁的表现，审视数字视觉实践中技术逻辑与人文价值的张力，为理解当代文化生产机制、应对审美经验变化提供参考。

Abstract: Taking digital vision as an entry point, this paper integrates the theories of philosophy of technology, sociology and cultural criticism through an interdisciplinary perspective, focusing on the three dimensions of “creation, dissemination, and acceptance”, and systematically exploring how digital technology drives the change of visual aesthetic experience. At the creation level, the dissolution and reconstruction of artistic originality by algorithmic generation is analyzed; at the dissemination level, the aesthetic convergence under the big data of short video platforms is revealed; at the acceptance level, the physical participation in VR art exhibitions is explored to reconstruct the works and their significance in terms of subjectivity, unlike the traditional static mode of visit. The study aims to explore the manifestations of aesthetic experience changes brought about by technology, examine the tension between technological logic and humanistic values in digital visual practices, and provide references for understanding the mechanism of contemporary cultural production and responding to changes in aesthetic experience.