多模态话语分析视角下《浪浪山小妖怪》的字幕翻译研究

A Study on Subtitle Translation in Nobody from the Perspective of Multimodal Discourse Analysis

摘要: 电影是推动中国文化经济发展的动力。中国实施“走出去”战略，专注提升其国际文化软实力，中国电影外译从而成为国内影视剧翻译研究的热点。《浪浪山小妖怪》作为一部喜剧外壳包裹着现实寓言，笑点泪点兼具的商业大片，其字幕翻译不仅需要跨越语言障碍，更需在文化、视觉、听觉等多重模态互动中实现意义的有效传递。本文选用了多模态话语分析理论，从文化、内容、语境、和表达四个层面分析字幕翻译是如何与影像、声音、色彩等其他符号资源协同建构整体意义，以期促进不同文化背景下人们的沟通交流，更好地理解影片。

Abstract: Movies are a force propelling the development of its cultural economy. China implements the “Going Global” strategy and focuses on enhancing its international culture soft power, thus making the translation of Chinese films a key focus in domestic film and television translation research. Nobody is a commercial blockbuster wrapped in a comedy shell, carrying a fable of reality and blending humorous but poignant moments. Its subtitle translation not only should overcome language barriers but also effectively convey meaning through the interaction of multiple modalities such as culture, visuals, and audio. This paper employs multimodal discourse analysis theory to analyze, from cultural, content, contextual, and expressive perspectives, how subtitle translation collaborates with other semiotic resources like imagery, sound, and color to construct holistic meaning. This approach can facilitate communication and enhance understanding of the film among people from different cultural backgrounds.