《黑神话：悟空》的影游融合特质及影视化前景研究

A Study on the Film-Game Integration Characteristics and Film Adaptation Prospects of “Black Myth: Wukong”

摘要: 2024年8月20日《黑神话：悟空》横空出世，在“跨媒介叙事”的背景之下，《黑神话：悟空》以其独特的影视化空间的构建，推动了受众“想象力消费”的文化诉求，因此带来电影文化产业的消费升级的可能。同时，“六样情”动画短片以其独特的后西游叙事方式、现代与传统的结合、技术与艺术共存的艺术表现方式也对受众的消费需求作出了回应，这将成为电影工业美学值得续写实践的生动案例。

Abstract: On August 20, 2024, the video game “Black Myth: Wukong” made a groundbreaking debut. Within the context of transmedia storytelling, the game constructs a unique cinematic space that effectively promotes the cultural demand for “imagination consumption” among audiences, thereby fostering the potential for consumption upgrading in the film and cultural industry. Furthermore, the animated short film series Six Sentiments, through its distinctive post-Journey to the West narrative approach, the integration of tradition and modernity, and an artistic expression that harmonizes technology and art, responds to the consumption needs of audiences. This series stands as a vivid case worthy of continued practice and exploration within the framework of film industry aesthetics.