“两创”背景下潮汕英歌舞的发展现状与传承路径研究

A Study on the Current Status and Pathways for the Preservation and Transmission of Chaoshan Yingge Dance in the Context of the “Two Innovations”

摘要: 潮汕英歌舞作为国家级非物质文化遗产，近年来以“中华战舞”之姿火爆出圈，在一定程度上为传统文化的创造性转化和创新性发展提供了一个鲜活样本。本研究基于潮汕地区田野调查与深度访谈，剖析其发展成就与现实困境。研究表明，英歌舞在“两创”方针指引下，依托全媒体传播、文旅融合、IP开发与海外交流实现跨越式发展；但同时面临文化意涵浅表化、传承主体代际断层、区域流派性别发展失衡、本土资源整合不足等问题。为此，需构建分级保护、多元传承、协同治理的整合路径，激活宗族、乡贤、商会等本土资源，在坚守文化本真的基础上平衡创新与开发，强化人才培育与均衡发展，推动英歌舞从网红流量走向长效传承，为非遗“两创”实践提供潮汕经验。

Abstract: Chaoshan Yingge Dance, as a national intangible cultural heritage, has recently gone viral as the “Chinese War Dance”, providing to a certain extent, a vivid example for the creative transformation and innovative development of traditional culture. Based on field research and in-depth interviews in the Chaoshan region, this study analyzes the achievements and current challenges of the Yingge Dance. The research indicates that, guided by the “creative transformation and innovative development” policy, the Yingge Dance has achieved leapfrog development through omnichannel dissemination, the integration of culture and tourism, IP development, and international exchanges. However, it simultaneously faces issues such as the superficialization of cultural significance, a generational gap among practitioners, imbalances in the development of regional schools and genders, and insufficient integration of local resources. To address these challenges, an integrated approach featuring tiered protection, diverse transmission, and collaborative governance must be established. This involves mobilizing local resources such as clan associations, local elders, and chambers of commerce to balance innovation and development while upholding cultural authenticity. By strengthening talent cultivation and promoting balanced development, Yingge Dance can transition from a “viral sensation” to sustainable transmission, thereby providing the Chaoshan model for the “Two Creativities” initiative in intangible cultural heritage.