论苏轼“以诗为词”艺术表现与文化根源探析

An Analysis of the Artistic Expression and Cultural Roots of Su Shi’s “Writing Ci in the Style of Shi Poetry”

摘要: 苏轼是我国宋朝文坛上杰出的代表，他在诗、词、文等方面都颇有建树。作为“词中之龙”，其为宋词的发展作出了历史性的贡献。他“以诗为词”的创作理念和实践，打破了传统词体的藩篱，在词坛掀起了一场革新风暴。本文旨在剖析苏轼“以诗为词”的具体表现，从题材拓展、手法借鉴、风格变革等角度展开，探讨其背后的文化根源，如宋代的文化政策、士人的精神风貌等，同时分析这一创新对后世词学发展产生的深远影响，全面展现苏轼“以诗为词”在词学史上的重要意义。

Abstract: Su Shi stands as one of the outstanding literary figures of the Song Dynasty in China, achieving remarkable accomplishments in poetry, ci, and prose. Hailed as “the dragon of ci poetry”, he made historic contributions to the development of Song ci. His creative philosophy and practice of “writing ci in the style of shi poetry” broke the barriers of the traditional ci form and sparked an innovative revolution in the ci circle. This paper intends to analyze the specific manifestations of Su Shi’s “writing ci in the style of shi poetry” from the perspectives of thematic expansion, technique borrowing, and stylistic transformation. It explores the underlying cultural roots, such as the cultural policies of the Song Dynasty and the spiritual outlook of scholar‑officials, and examines the profound influence of this innovation on the later development of ci studies, so as to fully demonstrate the vital significance of Su Shi’s “writing ci in the style of shi poetry” in the history of ci studies.