杜甫题画诗对画作意境的多感官重构

Multi-Sensory Reconstruction of Artistic Conception in Du Fu’s Painting Poems

摘要: 杜甫题画诗以诗歌为媒介，突破绘画作为视觉艺术的单感官局限，通过视觉的延伸、听觉的植入、触觉与温度感的渗透等多维度创作，将绘画的静态意境转化为声、色、触、动交融的立体审美空间。本文以杜甫题画诗文本为核心，结合文艺学中的“通感”理论、诗画关系理论及意境论，探讨其多感官重构的具体路径、艺术与审美意义，揭示杜甫题画诗对“诗画互鉴”传统的拓展，不仅是对画作的题咏，更是以诗歌感官优势进行对绘画意境的创造性的重构。

Abstract: Du Fu’s painting poems use poetry as a medium to break through the single sensory limitations of painting as a visual art. Through multi-dimensional creation such as visual extension, auditory implantation, and penetration of touch and temperature, the static artistic conception of painting is transformed into a three-dimensional aesthetic space that blends sound, color, touch, and motion. This article takes the text of Du Fu’s painting poems as the core, and combines the theory of “synesthesia”, the theory of the relationship between poetry and painting, and the theory of artistic conception in literary studies to explore the specific path, artistic and aesthetic significance of his multi-sensory reconstruction. It reveals that Du Fu’s painting poems expand the tradition of “mutual learning between poetry and painting”, not only praising the paintings, but also creatively reconstructing the artistic conception of the paintings based on the sensory advantages of poetry.