乾嘉时期题红诗的传播与接受研究

A Study on the Transmission and Reception of Poems on Dream of the Red Chamber during the Qianlong-Jiaqing Period

摘要: 乾嘉时期是题红诗的首个高峰期。这一时期题红诗的传播载体以别集刊本与手稿抄本为主，传播范围限于宗室、师友等私人圈子，传播速度缓慢，作者与读者之间存在显著的时间鸿沟。本文以永忠、明义、周春、吴兰征等人的题红诗作为核心案例，从传播载体、创作主体、接受特征三个维度，考察乾嘉时期题红诗的传播与接受，揭示其私藏酬和、滞后传播的特征，并探讨这一特征在《红楼梦》传播史上的独特位置。

Abstract: The Qianlong-Jiaqing period marked the first peak in the composition of poems on Dream of the Red Chamber (henceforth “Honglou Meng poems” or Tihong Shi). During this period, the transmission of these poems primarily relied on published collected works and handwritten manuscripts, with circulation largely confined to private circles such as imperial kinsmen, friends, and teachers. The speed of transmission was slow, and there existed a significant temporal gap between authorship and readership. Focusing on key cases of Tihong Shi by poets such as Yongzhong, Mingyi, Zhou Chun, and Wu Lanzheng, this paper examines the transmission and reception of these poems during the Qianlong-Jiaqing period from three dimensions: transmission media, creative subjects, and reception characteristics. It reveals the features of private circulation, social exchange, and delayed transmission, and explores the unique position of these features in the broader transmission history of Dream of the Red Chamber.