麦秸造物——地域文化符号的多维艺术再构路径研究

Art Creation with Wheat Straw: A Study on Multidimensional Artistic Reconstruction of Regional Cultural Symbols

摘要: 在现代化进程持续推进的当下，地域非物质文化遗产面临着文化符号流失、传承形式单一、与当代生活脱节等诸多困境，麦秸造物作为根植于中国农耕文明的传统民间工艺，凝聚着不同地域的民俗风情、审美意趣与劳动智慧，是地域文化遗产的重要组成部分。本文以麦秸造物为研究核心，围绕地域文化符号的保护与活化利用，聚焦多元融合思维传输逻辑构建、多维艺术再构模式搭建、非遗创新理论体系完善三大核心内容，遵循“理论研究–现状分析–路径构建–实践验证”的研究思路，综合采用文献研究法、实地调研法、案例分析法、设计实践法、实证验证法五种研究方法，整合多学科理论与研究方法，探索麦秸造物文化符号的现代转译路径。研究旨在破解传统麦秸工艺传承难题，为地域文化遗产保护提供理论支撑，让麦秸文化符号在当代设计、文创等领域焕发新生，同时丰富中国民间艺术的多元化表达，为非遗现代化转化提供可借鉴的实践范式。

Abstract: With the continuous advancement of modernization, regional intangible cultural heritage is confronted with numerous challenges, including the loss of cultural symbols, monotonous inheritance modes, and disconnection from modern life. Rooted in China’s agricultural civilization, straw craft is a traditional folk art that embodies the folk customs, aesthetic sentiments and craftsmanship wisdom of diverse regions, serving as an essential component of regional cultural heritage. Taking straw craft as the core research subject, this study focuses on the preservation and revitalization of regional cultural symbols. It centers on three key aspects: the construction of diversified integrated thinking logic, the establishment of multi-dimensional artistic reconstruction models, and the improvement of innovative theories for intangible cultural heritage. Following the research framework of “theoretical research, current situation analysis, path construction, practical verification”, the paper adopts five research methods: literature review, field investigation, case analysis, design practice and empirical verification. By integrating multidisciplinary theories and approaches, it explores the modern transformation paths of cultural symbols embodied in straw craft. This research aims to address the inheritance challenges of traditional straw craftsmanship, provide theoretical support for the protection of regional cultural heritage, and revitalize straw cultural symbols in contemporary design and cultural and creative industries. It also enriches the diversified expression of Chinese folk art and offers a replicable practical model for the modern transformation of intangible cultural heritage.