叙事重构与媒介嵌入:非遗纪录片国际传播效能的提升策略
Narrative Reconstruction and Media Embedding: Strategies for Enhancing the International Communication Effectiveness of Intangible Cultural Heritage Documentaries
摘要: 作为展示中华文化独特魅力、构建国家文化软实力的重要视听传播媒介,非遗纪录片的国际传播常常受制于文化折扣效应,导致其作为高语境文化所承载的深层意义在传播中受阻。基于这一背景,本研究立足文化转译视角,探讨非遗纪录片国际传播效能的提升策略。研究发现,叙事重构能够通过情感化叙事实现文化故事的共情传播、沉浸式叙事强化文化符号的具身体验、交互式叙事提升视听空间的认知共振,而媒介嵌入能够通过分发差异化构建精准化的转译矩阵、形态小微化适配碎片化的转译场景、IP跨界化扩展更加立体的转译路径,二者协同作用,有助于强化非遗纪录片的文化转译效果,提升其国际传播效能。
Abstract: As a key audiovisual medium for showcasing the unique charm of Chinese culture and building the nation’s cultural soft power, the international dissemination of intangible cultural heritage (ICH) documentaries is often constrained by the “cultural discount effect”, which hinders the transmission of the profound meanings inherent in these highly contextualized cultural narratives. Against this backdrop, this study adopts a cultural translation perspective to explore strategies for enhancing the effectiveness of ICH documentary dissemination on the global stage. The study found that narrative reconstruction can achieve empathetic dissemination of cultural stories through emotional storytelling, immersive storytelling reinforces the embodied experience of cultural symbols, and interactive storytelling enhances cognitive resonance within the audiovisual space; meanwhile, media embedding can construct a precise translation matrix through differentiated distribution, adapt to fragmented translation scenarios via format miniaturization, and expand more multidimensional translation pathways through IP cross-border integration. The synergistic interaction between these two approaches helps strengthen the cultural translation effects of ICH documentaries and enhances their international dissemination effectiveness.
文章引用:郭仪, 徐霄扬. 叙事重构与媒介嵌入:非遗纪录片国际传播效能的提升策略[J]. 新闻传播科学, 2026, 14(6): 169-177. https://doi.org/10.12677/jc.2026.146150

参考文献

[1] 杨红. 非物质文化遗产数字化研究[M]. 北京: 社会科学文献出版社, 2014: 4.
[2] 吴冠东. 中国非遗纪录片在国际传播话语体系中的传播策略分析[J]. 新闻传播, 2025(17): 31-34.
[3] 高峰, 赵建国. 中国纪录片跨文化传播的障碍与超越[J]. 现代传播(中国传媒大学学报), 2009(3): 81-84.
[4] 陆敏, 陈燕. 国际传播中的文化共享、文化折扣与解读偏移——基于中国历史文化纪录片海外观众解读的分析[J]. 现代传播(中国传媒大学学报), 2022, 44(12): 65-69.
[5] 孙立青. 非遗题材纪录片制作的文化价值、发展症结与突破路径[J]. 集美大学学报(哲社版), 2024, 27(6): 28-33+83.
[6] https://www.tandfonline.com/doi/abs/10.1207/S15327736ME1904_3[CrossRef
[7] Lee, F.L.F. (2008) Hollywood Movies in East Asia: Examining Cultural Discount and Performance Predictability at the Box Office. Asian Journal of Communication, 18, 117-136. [Google Scholar] [CrossRef
[8] Bhabha, H.K. (1994) The Location of Culture. Routledge, 54.
[9] Duncum, P. (2002) Clarifying Visual Culture Art Education. Art Education, 55, 6-11. [Google Scholar] [CrossRef
[10] Bassnett, S. and Lefevere, A. (1990) Translation, History and Culture. Shanghai Foreign Language Education Press, 1-13.
[11] 马全福. 视觉传达设计叙事策略研究[D]: [博士学位论文]. 南京: 南京艺术学院, 2018: 27-35.
[12] 吴飞. 共情传播的理论基础与实践路径探索[J]. 新闻与传播研究, 2019, 26(5): 59-76+127.
[13] 王真真, 王相飞. 共情传播视域下中国体育故事跨文化传播的国际认同建构[J]. 山东体育学院学报, 2024, 40(1): 97-104+126.
[14] 喻国明. 跨文化交流中的三个关键性传播节点——关于减少和消除“文化折扣”的传播学视角[J]. 新闻与写作, 2020(3): 62-65.
[15] Kim, J. (2021) Synthetic Vision in Virtual Reality Documentaries. Film-Philosophy, 25, 321-345. [Google Scholar] [CrossRef
[16] 高文谦. 非遗数字化传播的文化缺失与优化策略[J]. 传媒, 2024(11): 67-69.
[17] Gaudenzi, S. (2013) The Living Documentary: From Representing Reality to Co-Creating Reality in Digital Interactive Documentary. Ph.D. Thesis, Goldsmiths, University of London.
[18] 刘静. 中华传统文化类微纪录片的跨媒介叙事研究[J]. 当代电视, 2025(11): 64-68.
[19] 沈海涛. 数字叙事赋能主流意识形态安全的逻辑机理与优化策略[J]. 西南民族大学学报(人文社会科学版), 2025, 46(1): 174-182.
[20] Hall, S. (2014) 1980[1973]. “Encoding, Decoding”. In Culture, Media, Language. Working Papers in Cultural Studies, 1972-1979, Ed. by Centre for Contemporary Cultural Studies, 128-138. London: Routledge. In: Angermuller, J., Ed., The Discourse Studies Reader: Main Currents in Theory and Analysis, John Benjamins Publishing Company, 112-121. [Google Scholar] [CrossRef
[21] 杜小峥. 河南红色文化IP塑造和传播力提升研究[J]. 新闻爱好者, 2023(10): 92-94.
[22] 樊传果, 李旭丰. 非物质文化遗产IP的跨界营销传播探析——基于传统美术类非遗的视角[J]. 传媒观察, 2022(12): 85-90.