清代经学诗学理论建构研究——以《诗经》学、音韵学、音乐学为中心

Research on the Construction of Qing Dynasty’s Theory of Classical Studies and Poetics—Centering on the Studies of The Book of Songs, Phonology and Musicology

摘要: 本研究以清代“经学诗学”为研究对象，聚焦其通过《诗经》学、音韵学、音乐学三大领域沟通经学与诗学的独特路径。研究深入解读《诗经》学、音韵学、乐律领域文献及诗学文本，揭示清代学者如何在经学框架内进行诗学理论建设。研究表明，清代经学诗学不仅具有集成性和创新性，而且形成了以经学为本位、实践与诗学阐释深度融合的发展模式，为理解清代诗学的主流形态提供了关键视角，凸显了其在中国诗学史上不可或缺的重要价值。

Abstract: This study takes the “classical studies and poetics” in the Qing Dynasty as its research object, focusing on the unique path through which it connected Confucian classics and poetics via the three major fields of The Book of Songs studies, phonology, and musicology. The research delves into the interpretation of literature and poetics texts in these three fields, revealing how scholars in the Qing Dynasty constructed poetics theories within the framework of Confucian classics. The study shows that the classical studies and poetics in the Qing Dynasty not only possesses integrative and innovative features but also has developed a model that is centered on Confucian classics and deeply integrates practice with poetics interpretation. This provides a key perspective for understanding the mainstream form of poetics in the Qing Dynasty and highlights its indispensable and significant value in the history of Chinese poetics.