释意理论指导下的光山花鼓戏唱词翻译探析

A Study on the Translation of Guangshan Huagu Opera Lyrics under the Guidance of Interpretive Theory

摘要: 光山花鼓戏作为一种戏曲剧种，主要在信阳地区流传开来，2014年这一传统艺术成功跻身国家级非物质文化遗产名录。依托中外人文交流不断深化的发展机遇，光山花鼓戏——这一信阳市光山县特有的民间艺术，作为“非遗”项目经常出国交流演出，因此，对其进行外宣十分必要，需要对唱词进行翻译。本文以光山花鼓戏中具有代表性的经典唱段为例，逐一梳理其唱词呈现出的独特语言特征，分析这些特征会对口译工作带来哪些实际影响。依托巴黎释意派翻译理论的核心观点，对其中部分典型唱段开展翻译实践尝试，从中归纳提炼出适配这类地方戏曲唱词的翻译策略与方法，进而思考光山花鼓戏对外宣传与国际交流的可行路径，以期更好地推动淮河文化的国际传播与认同。

Abstract: Guangshan Huagu Opera is a traditional local opera genre popular in the Xinyang area. In 2014, it was included in the National Intangible Cultural Heritage List of China. Benefiting from the growing opportunities created by the continuous deepening of cultural exchanges between China and other countries, Guangshan Huagu Opera—a distinctive folk art form native to Guangshan County, Xinyang City—has frequently participated in overseas cultural exchange performances as an item of intangible cultural heritage. Therefore, it is of great necessity to promote it internationally, which requires the translation of its librettos and lyrics. Taking representative opera excerpts as examples, this paper analyzes the characteristics of Guangshan Huagu Opera lyrics and their influence on interpreting. Guided by the Interpretive Theory of Translation proposed by the Paris School, the study attempts to translate selected excerpts, summarizes appropriate translation strategies, and explores ways to enhance the international publicity and cultural exchange of Guangshan Huagu Opera so as to promote the dissemination of Huaihe River culture.