音乐作为造型艺术——谢林艺术哲学中的音乐

Music as a Plastic Art—Music in Schelling’s Philosophy of Art

摘要: 谢林将艺术哲学作为一种独立而完整的哲学，与其同一性哲学体系相互补充。谢林将艺术分为造型艺术和言语艺术，并创造性地将音乐归为造型艺术，谢林重新规定了造型艺术的定义，将造型艺术理解为以自然事物为载体的艺术，并且具体分析了声音这一无机性存在的特性，通过哲学的视角重新定义了音乐的本质并且分析了音乐在其他造型艺术中的表现。谢林不仅阐明了音乐的本质，而且确定了音乐在造型艺术甚至所有艺术形式中的基础性地位。

Abstract: Schelling regards the philosophy of art as an independent and complete philosophy that complements his system of identity philosophy. He divides art into the plastic arts and the verbal arts and creatively classifies music as a form of plastic art. Schelling redefines the plastic arts, understanding them as art based on natural objects. He then examines the characteristics of sound as an inorganic existence, redefines the essence of music from a philosophical perspective, and analyzes the expression of music in other plastic arts. Schelling not only clarifies the nature of music but also establishes its foundational position in the plastic arts and even in all art forms.