地方感、生态身份与区域形象——《看得见的东北》的三重建构与文学表达

Sense of Place, Ecological Identity and Regional Image—The Tripartite Construction and Literary Expression of “Visible Northeast”

摘要: 文学书写中的“东北形象”长期以来与“黑土地”、“工业”、“闯关东”等历史与文化标签紧密相连，弥漫着拓荒的艰辛、工业的轰鸣与历史的厚重。而在李青松书写的生态文学作品《看得见的东北》中，则将书写空间聚焦于东北一个特定的区域类型——林区，将叙事焦点从社会历史转向广袤的自然生态，建构了东北林区鲜明的地方感，并展现了对林区人生态身份的多重思考，呈现出一个“被遗忘”与“被忽略”的东北形象，这不仅是一部生态文学作品，更是一次对东北地域书写的深度拓疆，丰富了生态文学中对于东北书写的维度，充满着对应怎样重新认识自然、怎样重建人与自然的关系的思考。

Abstract: The “Northeast image” in literary writing has long been closely linked to historical and cultural labels such as “black soil”, “industry”, and “breaking through the Kanto region”, permeated with the hardships of pioneering, the roar of industry, and the weight of history. In Li Qingsong’s ecological literature work “Visible Northeast”, the writing space is focused on a specific regional type in Northeast China—the forest area, shifting the narrative focus from social history to the vast natural ecology, constructing a distinct sense of place in the Northeast forest area, and showing multiple reflections on the ecological identity of the forest people, presenting a “forgotten” and “ignored” image of Northeast China. This is not only an ecological literature work, but also a deep exploration of the Northeast region, enriching the dimensions of ecological literature on Northeast China, full of corresponding reflections on how to re-understand nature and how to rebuild the relationship between humans and nature.