“父”与“子”的救赎——论顾长卫电影《刺猬》

Redemption between “Father Figure” and “Son”—An Analysis of Gu Changwei’s Film Hedgehog

摘要: 顾长卫的电影《刺猬》改编自小说《仙症》，延续了顾长卫所擅长的边缘小人物书写，通过周正和王战团两个主人公呈现了跨越传统伦理的父子救赎。影片以失语少年周正与疯言老人王战团的同构关系为核心，通过差异化的镜头构图、冷暖光影对照与物象符号，展现了父子两代挣脱家庭管教与世俗观念的突围过程。他们在现代社会中“被卡住”，彼此成为世俗污名里的精神慰藉，诠释了人与人双向救赎的温情与治愈。

Abstract: Adapted from the novel Immortal Symptoms, Gu Changwei’s film Hedgehog continues the director’s consistent focus on marginalized ordinary individuals. Through the two protagonists Zhou Zheng and Wang Zhantuan, the film depicts the mutual healing between a spiritual father figure and a son that transcends traditional ethics. Taking the isomorphic relationship between Zhou Zheng, an aphasic teenage boy, and Wang Zhantuan, an eccentric elderly man prone to rambling speech as its core, the film employs differentiated frame composition, contrasting warm and cold light and shadow, as well as symbolic objects to depict how two generations, a father figure and a son figure, break free from family discipline and worldly conventions. Trapped and stagnated in modern society, the two become each other’s spiritual solace amid social prejudice, illustrating the tenderness and healing embedded in mutual redemption between human beings.