陕西户县农民画与山东日照农民画的艺术特征比较研究

A Comparative Study of the Artistic Characteristics of Huxian Peasant Painting in Shaanxi and Rizhao Peasant Painting in Shandong

摘要: 农民画是中国现当代民间艺术体系中的重要组成部分，以质朴直白的视觉语言记录乡土生活、民俗风情与审美理想，具有鲜明的地域性与原生性特征。陕西户县农民画与山东日照农民画作为中国农民画的两大代表性流派，因地理环境、生产方式、民俗传统与民间审美取向的差异，呈现出截然不同的艺术面貌。本文从题材选择、色彩表达、构图方式三个维度，对户县农民画与日照农民画进行系统比较，分析二者在艺术语言上的差异特征，并阐释其背后所蕴含的地域文化心理与民间审美内涵，为民间美术的传承与当代转化提供理论参考。

Abstract: Peasant painting is an important component of China’s modern and contemporary folk art system. Using simple and direct visual language, it records rural life, folk customs, and aesthetic ideals, exhibiting distinct regional and indigenous characteristics. As two representative schools of Chinese peasant painting, Shaanxi’s Huxian peasant painting and Shandong’s Rizhao peasant painting present significantly different artistic styles due to variations in geographical environment, modes of production, folk traditions, and folk aesthetic orientations. This paper systematically compares the two schools from three dimensions—subject matter selection, color expression, and compositional approach—analyzing the differences in their artistic language and interpreting the underlying regional cultural psychology and folk aesthetic connotations. The study provides theoretical reference for the preservation and contemporary transformation of folk art.