推动传播还是意义偏移?——关于汉服模特大赛活动的文化传播效果困境与反思
Promoting Dissemination or Meaning Deviation?—Dilemmas and Reflections on the Cultural Communication Effects of Hanfu Model Contests
DOI: 10.12677/jc.2026.148196, PDF,   
作者: 郑 倩:成都外国语学院英语语言文化与翻译学院,四川 成都
关键词: 汉服文化文化传播模特大赛编码/解码议程设置Hanfu Culture Cultural Communication Model Contest Encoding/Decoding Agenda-Setting
摘要: 汉服模特大赛是近年来汉服文化传播的重要线下形式。本文基于亲身参与某全国性汉服模特大赛的参与式观察,探讨此类赛事在文化传播上的实际效果与内在困境。研究发现,赛事呈现“强热度、弱覆盖”特征:虽吸引大量关注,但多数受众记住的是选手颜值与才艺,而非汉服文化内涵。结合议程设置、编码/解码、媒介事件、使用与满足等理论,本文从赛制设计、意义传递、媒介逻辑三个层次逐层推进,并引入消费主义转向作为宏观语境,揭示“展示”对“阐释”的系统性替代。研究认为,赛事文化传播困境由赛制、传播者、受众、媒介、宏观语境五重因素叠加所致。据此,从评分机制、传播策略、文化互动、传播形式、机构合作五个维度提出针对性建议。
Abstract: Hanfu model contests have emerged as a vital offline vehicle for the communication of Hanfu culture in recent years. Based on participant observation conducted during the author’s personal involvement in a national Hanfu model contest, this paper explores the practical effects and inherent dilemmas of such events in cultural communication. The study reveals that these contests are characterized by “high popularity yet shallow cultural penetration”: while drawing extensive public attention, most audiences only recall contestants’ appearances and performance skills rather than the intrinsic cultural connotations of Hanfu. Drawing on communication theories including agenda-setting, encoding/decoding, media events, and uses and gratifications, this paper conducts layered analysis from three dimensions: contest system design, meaning transmission, and media logic. It further contextualizes the research within the macro backdrop of consumerist turn, exposing the systematic replacement of “interpretation” by “visual display”. This study argues that the dilemmas plaguing cultural communication via such contests stem from the compounded impacts of five interwoven factors: contest rules, communicators, audiences, media, and the macro social context. Corresponding targeted suggestions are proposed across five dimensions: scoring criteria, communication strategies, cultural interaction modes, communication formats, and cross-institutional collaboration.
文章引用:郑倩. 推动传播还是意义偏移?——关于汉服模特大赛活动的文化传播效果困境与反思[J]. 新闻传播科学, 2026, 14(8): 21-25. https://doi.org/10.12677/jc.2026.148196

参考文献

[1] 季芳芳. 服饰的文化政治: 汉服作为“媒介物”的当代“创生”及其划界实践[J]. 国际新闻界, 2024, 46(10): 119-138.
[2] 杨雪, 张冉, 孔令旭. “传统”的再造与流行——对青年汉服文化演变逻辑的考察[J]. 当代青年研究, 2022(2): 40-47.
[3] 周星. 本质主义的汉服言说和建构主义的文化实践——汉服运动的诉求、收获及瓶颈[J]. 民俗研究, 2014(3): 130-144.
[4] 刘洋. 现代汉服文化流行传播与产业链发展实证研究[D]: [博士学位论文]. 北京: 北京服装学院, 2025.
[5] 麦库姆斯. 议程设置: 大众媒介与舆论[M]. 北京: 北京大学出版社, 2008.
[6] 霍尔. 编码/解码[M]//罗钢, 刘象愚. 文化研究读本. 北京: 中国社会科学出版社, 2000: 354-358.
[7] 戴扬, 卡茨. 媒介事件: 历史的现场直播[M]. 北京: 北京广播学院出版社, 2000.
[8] 卡茨, 布鲁姆勒. 使用与满足研究的回顾与展望[J]. 传播学刊, 1974, 24(2): 20-28.
[9] 刘树林, 赵安琪. 汉服文化在青年群体中传播的多维审思: 行为与行动、作用与作为[J]. 西部广播电视, 2025(11): 59-66.
[10] 颜仁娜. 艺术资源的符号转换: 汉服艺术价值传播的审美新变[J]. 剧影月报, 2024(3): 79-81.
[11] 汤敏. 汉服作为“认同的力量”——新媒介环境下文化民族主义的身份生产与主流化接合[J]. 文化研究, 2021(2): 182-207.