元稹《使东川》组诗中的江月意象
The River-and-Moon Imagery in Yuan Zhen’s Shi Dongchuan Poetry Cycle
DOI: 10.12677/cnc.2026.144145, PDF,   
作者: 王学悠:新疆师范大学中国语言文学学院,新疆 乌鲁木齐
关键词: 元稹《使东川》江月意象时空意识Yuan Zhen Shi Dongchuan River-and-Moon Imagery Temporal-Spatial Consciousness
摘要: “江”“月”意象是元稹《使东川》组诗中不可忽视的重要部分。作为诗人抒情的情感载体,这两个典型意象在组诗中频繁出现,承载着诗人的行迹与思想变迁,抒发着元稹伤时哀世、思亲忆友、感怀抒情等复杂的情感,同时体现了元稹诗歌创作自觉的时空意识。
Abstract: The imagery of “river” (jiang) and “moon” (yue) constitutes a significant and indispensable component of Yuan Zhen’s Shi Dongchuan poetry cycle. As emotive vehicles for the poet’s lyrical expression, these two archetypal images recur frequently throughout the cycle, bearing witness to the poet’s travels and intellectual transformations. They give voice to Yuan Zhen’s multifaceted sentiments—his grief over the vicissitudes of his time, his longing for family and friends, and his meditative lyricism—while simultaneously manifesting a conscious temporal-spatial awareness characteristic of his poetic craftsmanship.
文章引用:王学悠. 元稹《使东川》组诗中的江月意象[J]. 国学, 2026, 14(4): 1031-1036. https://doi.org/10.12677/cnc.2026.144145

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