数字艺术作品的电子商务销售模式研究——基于数字插画类产品
Research on E-Commerce Sales Models of Digital Artworks—Based on Digital Illustration Products
摘要: 在数字技术、平台经济与内容传播方式持续变革的背景下,数字艺术作品的传播、交易与价值实现机制正在发生深刻变化。数字插画类产品因视觉表达直观、应用场景丰富、线上交付便捷,逐渐成为数字艺术商业化的重要类型。本文以数字插画类产品为研究对象,在梳理相关研究的基础上,引入平台生态系统与价值网络视角,对其在电子商务环境中的主要销售模式及其运行逻辑进行分析。研究表明,当前数字插画类产品主要形成标准化数字产品销售、定制化服务销售、内容导流型销售以及授权与衍生运营四种模式。不同模式并非孤立存在,而是创作者、平台、消费者与合作品牌等多方主体围绕内容生产、流量分发、交易转化与价值延展持续互动的结果。同时,数字艺术作品的电子商务销售仍面临版权保护与授权边界不清、产品同质化与价格竞争加剧、消费者信任与平台保障机制不足、创作者经营能力与品牌意识偏弱等问题。基于此,本文提出应从完善版权治理与交易说明机制、构建差异化与分层化产品体系、健全消费者信任生成与平台保障机制、提升创作者经营能力并加强品牌建设等方面推进优化。本文有助于从细分品类层面理解数字艺术作品电商化的运行逻辑,也可为创作者经营实践与平台治理提供参考。
Abstract: Against the background of continuing changes in digital technology, platform economy, and content dissemination, the dissemination, transaction, and value realization mechanisms of digital artworks are undergoing profound transformation. Digital illustration products, characterized by intuitive visual expression, diverse application scenarios, and convenient online delivery, have gradually become an important form of digital art commercialization. This paper takes digital illustration products as the research object. Based on a review of relevant research, it introduces the perspectives of platform ecosystem and value network to analyze their main sales models and operating logic in the e-commerce environment. The study finds that four major models have emerged: standardized digital product sales, customized service sales, content-driven sales, and authorization and derivative operations. These models do not exist in isolation, but are formed through the continuous interaction among multiple actors, including creators, platforms, consumers, and cooperative brands, around content production, traffic distribution, transaction conversion, and value extension. Meanwhile, the e-commerce sale of digital artworks still faces such problems as unclear copyright protection and authorization boundaries, increasing product homogenization and price competition, insufficient consumer trust and platform safeguards, as well as weak operational capability and brand awareness among creators. In response, this paper proposes optimization paths from the aspects of improving copyright governance and transaction description mechanisms, building differentiated and stratified product systems, strengthening consumer trust generation and platform safeguard mechanisms, and enhancing creators’ operational capability and brand building. This study helps to explain the operating logic of the e-commerce commercialization of digital artworks at the level of a specific subcategory, and provides a reference for creators’ business practices and platform governance.
文章引用:史峰, 王瑞. 数字艺术作品的电子商务销售模式研究——基于数字插画类产品[J]. 电子商务评论, 2026, 15(8): 13-22. https://doi.org/10.12677/ecl.2026.158843

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