许渊冲“三美论”视角下诗歌字幕英译研究——以《长安三万里》为例

A Study on the English Subtitle Translation of Poetry from the Perspective of Xu Yuanchong’s “Three Beauties Theory”—Taking Chang’an as an Example

摘要: 动画电影《长安三万里》以盛唐为背景，汇聚李白、杜甫、王维等诗人的数十首经典诗作，以双语字幕的形式向国内外观众呈现唐诗之美。许渊冲先生提出的“三美论”为诗歌翻译提供了系统的美学标准。本文以“三美论”为理论依托，选取《长安三万里》中诗歌的英译字幕为研究对象，从意美、音美、形美三个维度分析译文的美学再现策略，探讨诗歌字幕翻译在跨越时空与视听融合要求下，实现意境传达、韵律再现和形式保持的有效方式和策略，总结在唐诗英译过程中的有效策略，以促进中国的诗歌文化在海外更好地传播。

Abstract: The animated film Chang’an is set in the High Tang period. It brings together dozens of classic poems by poets such as Li Bai, Du Fu, and Wang Wei, and presents the beauty of Tang poetry to both Chinese and overseas audiences through bilingual subtitles. Xu Yuanchong’s “Three Beauties Theory” provides a systematic aesthetic standard for poetry translation. Taking this theory as the framework, this paper selects the English subtitles of poems in the film as research objects. From the three dimensions of sense, sound, and form, the paper analyzes the aesthetic reproduction strategies used in the translations. It explores the effective methods and strategies of how poetry subtitle translation realizes conveying artistic conception, reproducing rhythm, and maintaining formal features under the requirements of transcending time and space and integrating audio-visual elements. It summarizes the effective strategies in the process of translating Tang poetry, in order to promote the better dissemination of Chinese poetry culture overseas.