李清照诗词中漂泊隐喻的文化认知研究

A Cultural Cognitive Analysis of Wandering Metaphors in Li Qingzhao’s Poems

摘要: 本文旨在系统考察李清照后期诗词中漂泊隐喻的认知建构，揭示北宋灭亡后隐喻选择的文化认知根源。研究以概念隐喻理论为指导，选定16首诗词为语料，运用修订后的隐喻识别程序(MIP)进行隐喻识别。共识别出56个隐喻表达，归纳为七大源域：空间禁锢与距离、自然生命的凋零、流体与感知、容器与虚空感、拟人化、物理力及文化象征。研究发现，李清照笔下的漂泊隐喻主要是植根于天人合一的哲学观念、由家思国的价值体系与托物言志的诗学传统。本研究证明，概念隐喻理论结合文化认知分析与MIP，为中国古典诗词的认知解读提供了有效框架，揭示了具身体验与文化语境如何共同塑造人类思维与情感表达。

Abstract: This study aims to systematically investigate the cognitive construction of wandering (piāobó) metaphors in Li Qingzhao’s later poetry and to uncover the cultural-cognitive roots underlying these metaphorical choices in the aftermath of the fall of the Northern Song Dynasty. Guided by Conceptual Metaphor Theory, this research selects 16 poems as the corpus and employs a revised version of the Metaphor Identification Procedure (MIP) for systematic metaphor identification. A total of 56 metaphorical expressions are identified and categorized into seven major source domains: spatial confinement and distance, the withering of natural life, fluids and perception, containers and voids, personification, physical forces, and cultural symbols. The findings reveal that the wandering metaphors in Li Qingzhao’s works are profoundly rooted in the traditional Chinese philosophy of the unity of man and nature, the value system centered on the identification of home with state, and the poetic tradition of expressing aspirations through objects. This study demonstrates that Conceptual Metaphor Theory, when combined with cultural cognitive analysis and MIP, provides an effective framework for the cognitive interpretation of classical Chinese poetry, illuminating how embodied experience and cultural context jointly shape human thought and emotional expression.