交际翻译理论视角下《浪浪山小妖怪》文化负载词英译研究

A Study on the English Translation of Culturally-Loaded Words in Nobody from the Perspective of Communicative Translation Theory

摘要: 在“中国文化走出去”战略背景下，国产影视作品的字幕翻译承担着跨文化传播的重要使命。本文以纽马克的交际翻译理论为框架，以国产动画电影《浪浪山小妖怪》的英文字幕为研究对象，分析其中文化负载词的翻译方法。研究发现，译者综合运用音译加注、直译、意译与创造性替代四类译法，始终以目标语读者的理解需求为导向，在文化保真与传播效果之间寻求平衡，揭示了交际翻译理论在文化负载词翻译中的指导价值。

Abstract: Against the backdrop of China’s “cultural going global” strategy, subtitle translation of domestic films undertakes the important mission of cross-cultural communication. Guided by Newmark’s communicative translation theory, this paper takes the English subtitles of the animated film Nobody as its research object and analyzes the translation methods of culturally-loaded words in it. The study finds that in the application of four strategies such as transliteration plus annotation, free translation, literal translation, and creative substitution, the subtitle translators consistently prioritize comprehension needs of the audience, striking a balance between cultural authenticity and communicative effectiveness, thereby revealing the guiding value of communicative translation theory in the translation of culturally-loaded words.