流动的衣襟：蒙古族服饰文化交融与传承研究

Flowing Garments: A Study on the Integration and Inheritance of Mongolian Costume Culture

摘要: 蒙古族服饰作为北方游牧文化的重要物质载体与国家级非物质文化遗产，在历史发展中始终处于动态交融的演进过程。本文立足民族文化与非遗传承视角，综合文献研究与田野调查资料，考察蒙古族服饰与汉族、藏族、彝族等民族服饰文化的互动关系。研究认为，蒙古族服饰的文化交融呈现为三重逻辑：历史上蒙元时期的多元融合奠定了其基本格局；地域性分布导致的不同民族互渗造就了部落服饰的多样性；当代非遗传承中的创新实践则体现了传统在对话中的延续。本文认为，服饰文化的交融并非单向的文化同化，而是在互动中的选择性吸纳与创造性重组，这一过程既塑造了蒙古族服饰的地域多样性，也持续丰富着中国服饰文化的整体面貌。

Abstract: As an important material carrier of northern nomadic culture and a national intangible cultural heritage, Mongolian costume has always been in a dynamic and evolving process of integration throughout history. This paper, from the perspective of ethnic culture and intangible cultural heritage inheritance, integrates literature research and field survey data to examine the interaction between Mongolian costume and the costume cultures of Han, Xizang, Yi, and other ethnic groups. The study argues that the cultural integration of Mongolian costume presents a three-fold logic: the pluralistic integration during the Yuan Dynasty historically laid the foundation for its basic pattern; the regional distribution led to the mutual infiltration of different ethnic groups, creating the diversity of tribal costume; and the innovative practices in contemporary intangible cultural heritage inheritance reflect the continuation of tradition through dialogue. This paper argues that the integration of costume culture is not a one-way cultural assimilation, but rather a selective absorption and creative reorganization in interaction. This process has not only shaped the regional diversity of Mongolian costume but also continuously enriched the overall landscape of Chinese costume culture.