后亚文化视角下鬼畜视频的研究——基于B站鬼畜视频的分析

Research on Kichiku Videos from the Post-Subculture Perspective—An Analysis Based on Kichiku Videos on Bilibili

摘要: 鬼畜作为一种新兴音视频形式，借助网络媒介活跃于各大视频网络平台，尤其以B站为主要营地，自2008年传入中国互联网至今获得了广泛的知名度与接受度，同时形成了完整的自我文化机制，而煽情鬼畜的出现是鬼畜文化发展的必要产物，《派大星的独白》是此类作品的典型代表，围绕煽情鬼畜的话题成为鬼畜内部的重要文化现象，对其进行梳理利于厘清鬼畜视频这一新兴亚文化现象。

Abstract: As an emerging audio-visual form, kichiku has become active on various video platforms via the Internet, especially on Bilibili. Since its introduction to Chinese-speaking Internet in 2008, it has gained wide popularity and acceptance, and formed a complete self-cultural mechanism. The emergence of emotional kichiku is an inevitable product of the development of kichiku culture. “Patrick’s Monologue” is a typical representative of such works. The topic surrounding emotional kichiku has become an important cultural phenomenon within the kichiku community. Sorting it out helps to clarify the emergence of kichiku videos as a new sub - cultural phenomenon in recent years.