迷影文化语境下青年导演的类型杂糅与作者表达

Genre Hybridity and Auteur Expression of Young Directors in the Context of Cinephilia Culture

摘要: 在中国电影工业化进程中，类型化生产已成为产业发展的核心路径，而青年导演在融入工业体系时，始终面临类型成规与作者表达之间的内在张力。成长于迷影文化语境中的85后、90后青年导演，并未采取前代导演的“反类型”对抗策略，而是以“类型杂糅”为核心创作手段，在尊重类型基本成规的基础上，通过跨类型元素融合、叙事结构重构与本土文化植入，实现个人表达与工业逻辑的平衡。文章以2020年以来代表性青年导演的作品为文本案例，剖析类型杂糅的具体美学实践，揭示其“以类型为壳、以作者为核”的创作逻辑，并指出这种创作路径既是青年导演的个体突围策略，也为中国类型电影的美学升级提供了新的可能。

Abstract: In the process of Chinese film industrialization, genre-based production has emerged as a core pathway for industrial development, while young directors, in integrating into the industrial system, have always faced an inherent tension between genre conventions and authorial expression. Growing up within the context of cinephilia culture, post-85s and post-90s young directors have not adopted the anti-genre confrontational strategies adopted by earlier generations of filmmakers. Instead, they take “genre hybridity” as their primary creative approach. While respecting fundamental genre conventions, these directors strike a balance between personal expression and industrial logic through the integration of cross-genre elements, reconstruction of narrative structures, and embedding of local culture. Taking representative works by young directors released since 2020 as textual cases, this paper analyzes the specific aesthetic practices of genre hybridity and unpacks their creative logic of “using genre as the shell, auteur vision as the core”. It argues that such a creative path constitutes not only an individual breakthrough strategy for young directors, but also opens up new possibilities for the aesthetic upgrading of Chinese genre cinema.