行动者网络中的协同创作：AI与创作者在博物馆短视频生产中的角色实践研究

Collaborative Creation in the Actor-Network: A Study on the Role Practices of AI and Creators in Museum Short Video Production

摘要: 随着博物馆数字化转型的深入与AIGC技术对内容生产流程的深度嵌入，博物馆短视频生产正经历从“人主导”的工具模式向“人机互动”的协同模式转变。在此背景下，传统“主体–客体”的研究框架难以有效解释AI与人类创作者之间动态、复杂的关系。研究引入行动者网络理论作为分析框架，通过对“馆藏光阴”系列AI文博短视频项目的深度分析，探讨在博物馆短视频生产的行动者网络中，人类与非人行动者如何通过“转译”过程相互联结与博弈。研究发现，AI与人类创作者的角色并非预先给定，而是在具体实践中通过互动被动态界定，并最终形成了“主–仆”、“师–徒”、“谈判–共生”等典型的协同关系模式。文章通过打破人机二元对立的视角，为理解智能时代的协同创作提供了关系性与过程性的新见解。

Abstract: With the deepening digital transformation of museums and the deep integration of AIGC technologies into content production workflows, museum short video production is undergoing a shift from a “human-dominated” tool-based model toward a “human-AI interactive” collaborative model. In this context, the traditional “subject-object” research framework proves inadequate for explaining the dynamic and complex relationships between AI and human creators. Adopting Actor-Network Theory as an analytical framework, this study conducts an in-depth analysis of the “Museum Collections through Time” series of AI-assisted cultural heritage short videos, investigating how human and non-human actors interconnect and negotiate through the process of “translation” within the actor-network of museum short video production. The findings reveal that the roles of AI and human creators are not predetermined but are dynamically defined through interaction in concrete practices, ultimately giving rise to typical collaborative relationship models such as “master-servant”, “teacher-apprentice”, and “negotiation-symbiosis”. By transcending the human-machine binary opposition, this study offers relational and processual new insights for understanding collaborative creation in the intelligent era.