博物馆多感官疗愈实证研究综述：进展、机制与反思

A Review of Empirical Studies on Multisensory Healing in Museums: Progress, Mechanisms, and Reflections

摘要: 随着博物馆向具备心理抚慰与公共福祉功能的文化空间转型，多感官体验设计成为突破传统博物馆以视觉为主导的单通道展陈限制、支持情绪调节的核心路径。本文系统梳理博物馆多感官疗愈领域的实证研究进展，从理论演进、内在机制与定制化设计三个维度展开评述。相关研究已从早期视听联觉探索拓展至认知科学框架下的多模态协同研究，并延伸至特殊人群的差异化干预。然而，现有研究仍面临量化评价体系尚不清晰、感官协同不足及本土文化情境融合不充分等问题。未来设计可在充分借鉴既有研究方法的基础上，进一步探索传统美学与哲学思想在多感官设计及评价中的适配方式，为视觉传达与博物馆疗愈的交叉研究提供学理参照。

Abstract: Increasingly developed into cultural spaces that provide psychological solace and public-welfare functions, multisensory experience design has become an important approach to overcoming the limitations of visually dominated, single-channel exhibition practices and supporting emotional regulation. This paper systematically reviews empirical studies on multisensory healing in museums from three dimensions: theoretical evolution, underlying mechanisms, and customized design. The literature indicates that research has expanded from early explorations of audio-visual synesthesia to multimodal studies informed by cognitive science, and has further extended to differentiated interventions for specific populations. However, existing studies still face challenges including insufficiently clear quantitative evaluation frameworks, inadequate sensory coordination, and limited cultural-context adaptation. Future research may further explore how traditional Chinese aesthetics and philosophy can be appropriately incorporated into multisensory design and evaluation, providing a theoretical reference for interdisciplinary research between visual communication design and museum healing.