文物博物学视角下中国瓷器审美范式的流变与重构

Evolution and Reconstruction of Chinese Porcelain Aesthetic Paradigm from the Perspective of Cultural Relics and Museology

摘要: 瓷器审美范式是中国传统造物美学的核心研究范畴，其演化脉络与不同时期的社会文化、工艺水平高度关联。本文以文物博物学为研究视角，首先梳理了中国古代到近现代瓷器审美范式的演进脉络与核心差异，其次从制瓷工艺迭代、社会文化语境形塑、文博传播引导三个维度拆解了审美范式流变的内在动因，最后结合当代文化传播与消费特征，提出了传统内核转译、受众分层引导、传播场景搭建三类审美范式重构路径。研究成果可为传统瓷器文化当代传承、大众审美素养提升提供系统的理论参考与实践方向。

Abstract: The aesthetic paradigm of porcelain constitutes a core research category of Chinese traditional creation aesthetics, and its evolutionary context is highly correlated with socialcultural conditions and craftsmanship levels of different periods. From the perspective of cultural relics and museology, this paper first sorts out the evolutionary context and core differences of Chinese porcelain aesthetic paradigms from ancient times to modern and contemporary periods. Secondly, it dissects the internal driving forces behind the evolution of aesthetic paradigms from three dimensions: iteration of porcelainmaking techniques, shaping of socio-cultural context, and guidance of cultural-museum communication. Finally, combined with the characteristics of contemporary cultural communication and consumption, three reconstruction paths for the aesthetic paradigm are proposed: translation of traditional core connotations, hierarchical guidance for audiences, and construction of communication scenarios. The research findings can provide systematic theoretical references and practical directions for the contemporary inheritance of traditional porcelain culture and the improvement of public aesthetic literacy.