生态翻译学视角下《浪浪山小妖怪》电影字幕英译研究

A Study on the English Translation of Subtitles in the Animated Film Nobody from the Perspective of Eco-Translatology

摘要: 《浪浪山小妖怪》作为2025年暑期档现象级国产动画电影，其字幕英译在跨文化传播中扮演着关键角色。本文以胡庚申生态翻译学“三维转换”理论为分析框架，从语言维、文化维、交际维三个层面系统考察该片字幕英译的转换策略。研究发现，译者在语言维上通过语音重组与句式简化实现幽默效果的重构，在文化维上以创造性替代平衡文化保真与传播效果，在交际维上以受众意识为导向完成笑点的跨文化移植。三维转换的协同运作，使英文字幕在目的语生态中实现了适应性选择与选择性适应的动态平衡，为国产动画电影的跨文化传播提供了有益参照。

Abstract: As a phenomenal domestic animated film released in the 2025 summer season, Nobody has its English subtitles playing a vital role in cross‑cultural communication. Taking Hu Gengshen’s “three‑dimensional transformation” theory of eco‑translatology as the analytical framework, this paper systematically examines the transformation strategies adopted in the film’s English subtitle translation from linguistic, cultural and communicative dimensions. The study reveals that on the linguistic dimension, the translator achieves reconstruction of humorous effects through phonological restructuring and sentence simplification; on the cultural dimension, creative substitution is applied to balance cultural fidelity and communication effectiveness; on the communicative dimension, audience awareness guides the cross‑cultural transplantation of humorous points. The coordinated operation of three‑dimensional transformation enables the English subtitles to attain a dynamic balance between adaptive selection and selective adaptation within the target linguistic and cultural ecosystem, offering valuable references for the cross‑cultural communication of domestic animated films.