释意理论视角下《最美的青春》汉译俄字幕译本探析

An Analysis of the Chinese-to-Russian Subtitle Translation of “Perfect Youth” from the Perspective of the Interpretive Theory

摘要: 影视剧是跨文化传播的重要媒介，字幕翻译质量直接影响传播效果。国内目前影视字幕翻译研究多集中于英汉译介，汉俄字幕翻译研究尚显不足。受汉俄两种语言体系、历史文化背景的制约，字幕跨语转换时常面临文化语境差异、话语适配方面的现实挑战。本文以释意理论“理解–脱离语言外壳–重新表达”三阶段为分析框架，选取CGTN平台播出的电视剧《最美的青春》俄语字幕译本为研究对象，分析其在时代政治话语、林业术语、口语及修辞表达等方面的翻译难点，评析译本处理策略，并通过具体译例探讨释意理论的适用性与解释边界，以期为汉俄字幕翻译实践与研究提供参考。

Abstract: Film and television dramas serve as important media for cross-cultural communication, and the quality of subtitle translation directly affects the effectiveness of international dissemination. Current domestic research on audiovisual subtitle translation is predominantly focused on English-Chinese translation, while studies on Chinese-Russian subtitle translation remain insufficient. Constrained by the differences between the Chinese and Russian language systems and their historical and cultural backgrounds, cross-linguistic subtitle conversion often faces practical challenges arising from cultural contextual differences and discourse adaptation. Adopting the three-phase framework of Interpretive Theory—“comprehension, deverbalization, and re-expression”—this paper takes the Russian subtitle translation of the TV drama Perfect Youth broadcast on CGTN as its research object. It analyzes translation difficulties in the political discourse of the era, forestry terminology, colloquial expressions, and rhetorical devices, evaluates the translation strategies employed, and, through the analysis of specific cases, explores the applicability and explanatory boundaries of Interpretive Theory, with the aim of providing reference for Chinese-Russian subtitle translation practice and research.