深度媒介化背景下人工智能生成短剧中“人”的复制与主体性危机研究

Research on the Reproduction of “Humans” and the Crisis of Subjectivity in AI-Generated Short Dramas under the Background of Deep Mediatization

摘要: 在深度媒介化时代，生成式人工智能深刻改写了人机关系。机械复制的对象已从艺术品泛化至“人”本身，引发了深层的主体性危机。文章借用本雅明的“灵韵”理论，剖析技术对主体的算法剥离机制，探究个体如何从主动的自我符号化、商品化，走向被数据化并最终成为脱离本源的拟像式复制品。在此基础上，揭示人类主体性边界在内在、关系、存在三个层面的渐次消融。研究借此探究媒介化生存中人工智能与人的主体性博弈，以回应人机共生的议题。

Abstract: In the era of deep mediatization, generative artificial intelligence is profoundly rewriting human-machine relationships. The object of mechanical reproduction has expanded from artworks to encompass “humans” themselves, triggering a profound crisis of subjectivity. Drawing upon Walter Benjamin’s concept of the “aura”, this study dissects the algorithmic stripping of the human subject, exploring how individuals transition from active self-symbolization and commodification to being datafied and ultimately becoming simulacral replicas detached from their origins. It further reveals the gradual dissolution of human subjectivity boundaries across internal, relational, and existential dimensions. This study addresses the issue of human-machine symbiosis by exploring the struggle over subjectivity between AI and humans in mediatized existence.