四十余年嵇康音乐美学思想研究综述

A Literature Review of Researches on Ji Kang’s Musical Aesthetic Thought in the Past Four Decades

摘要: 本文以1985~2025年国内嵇康音乐美学相关文献为考察对象，采用纵向学术史研究视角，以初步发展阶段、快速增长阶段、稳步发展阶段三大阶段为全文叙述主线，将音乐本体、和谐理念、思想归属、比较研究四大核心议题内嵌于各时段内部展开梳理。结合文献计量数据呈现四十年来研究发文趋势、学科分布特征，分阶段还原学界核心观点、理论分歧；系统归纳现有研究存在的海外对话缺失、学科融合薄弱、现代价值挖掘浅显等局限，并对应提出后续可行研究路径，为嵇康《声无哀乐论》及魏晋乐论相关研究提供学术史参照。

Abstract: Taking domestic literature concerning Ji Kang’s musical aesthetics published from 1985 to 2025 as the research object, this paper adopts a longitudinal academic history perspective. Centered on three developmental phases, namely the initial development stage, rapid growth stage and steady development stage, it sorts out four core research topics including musical ontology, the idea of harmony, ideological affiliation and comparative studies within each phase. Combined with bibliometric data, this paper demonstrates the publishing trends and disciplinary distribution characteristics of relevant research over the past forty years, and restates core academic viewpoints and theoretical disputes by stage. It systematically summarizes limitations of existing research such as insufficient overseas academic dialogue, weak interdisciplinary integration and superficial exploration of modern values, and puts forward corresponding feasible research approaches for follow-up studies. This study provides an academic history reference for research on Ji Kang’s On Music without Sorrow and Joy and music theories of the Wei and Jin Dynasties.