理想化的田园图景：维涅齐昂诺夫农耕三部曲中农民形象研究

Idealized Pastoral Scenery: A Study of the Image of Farmers in Vinezyanov’s Agricultural Trilogy

摘要: 19世纪初，俄罗斯风俗画体系中出现以日常生活为主题的次要风格。维涅齐昂诺夫是19世纪最早从事风俗画创作的画家之一，他的乡村题材作品，虽然是以农民生活和劳动场景为主题，但却是对现实生活的理想化表现，体现的是画家对崇高、永恒、典范的不懈追求，是象征着民族化身的美化产物。笔者以维涅齐昂诺夫的农耕三部曲《谷仓》《春耕》《夏收》为例，主要从人物形象的设定和空间关系两方面出发，分析其理想化的表达与精神的追求。

Abstract: In the early 19^th century, a secondary style with daily life as the theme appeared in the Russian genre painting system. Vinezyanov was one of the earliest painters to engage in genre painting in the 19^th century. His rural themed works, although depicting the lives and labor scenes of farmers, are idealized representations of real life, reflecting the painter’s relentless pursuit of nobility, eternity, and exemplars. They are beautified products symbolizing the embodiment of the nation. The author takes Vinezyanov’s agricultural trilogy “The Barn”, “Spring Plowing” and “Summer Harvest” as an example, mainly analyzing their idealized expression and spiritual pursuit from two aspects: character image setting and spatial relationship.